General
Design Guidelines
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In the majority of styles the apex of the tree is positioned
over the base of the tree in order to provide a balanced image.
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One of the most fundamental guidelines relates to the need
to ensure a triangular appearance in the overall arrangement
of the branches and foliage.
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In most styles other than literati, the branches should begin
at around one third of the the trunk height.
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A wide and robust buttress with strong spreading roots adds
realism to the Bonsai.
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The appearance of moss or akadama soil can really set a tree
off and provide a seamless link from the tree to the pot.
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A balanced branch structure (avoiding exact symmetry) and
ramification are the basic requirements for an upright Bonsai.
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Mature looking bark with a good solid girth add a feel of
age and strength to a Bonsai tree.
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The trunk should have a good taper as it narrows towards the
apex.
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In a number of styles the apex of the tree leans forwards
adding depth and perspective to the overall appearance.
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Sounds obvious, but does it look like a tree in nature? If
this is really important to you then forget trees with large
leaves like Figs, or which flower like Satsuki Azaleas.
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The pot which holds the Bonsai needs to complement the Bonsai
in terms of its size, design and colour. The Bonsai also needs
to be placed appropriately within the pot.
Pots
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The
basic rule is that the pot must compliment the Bonsai and
not negate the aesthetic effect of the tree it is holding.
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Cascade and semi-cascade Bonsai need taller, deeper and more
rounded pots.
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Literati Bonsai are best displayed in smaller rounded pots.
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For conifers the darker browns, greys and blacks usually look
most sympathetic.
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Bonsai's which flower can be shown in glazed and colourful
pots.
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Classic formally shaped trees appear most suited to rectangular
pots.
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Group plantings lend themselves to shallow pots of various
designs and improvised slabs of rock or slate.
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With deciduous trees it is best to let the trees seasonal
leaf colour change dominate. Therefore pick subtle colours
that don't detract from the tree and which compliments the
colours of the leaves all year round.
Pruning
and Pinching
Pruning
Pruning
should be carried out in order to maintain or enhance the
growth pattern of your Bonsai. It involves removing branches
or parts of branches which are either too long, too short
or pointing in the wrong direction. "Directional pruning"
is where you leave the end bud pointing in the right direction
after pruning, thus avoiding the need to wire the branches.
With
most Bonsai it is best to prune in early spring so that the
Bonsai wont be exposed to to inclement weather and will heal
more readily. If you do prune in winter then protect the Bonsai
more carefully from the weather. Always apply wound healer
no matter when you prune and ensure the final cut leaves a
concave shape on the tree.

Pinching
Shoots
lengthen during the whole growing season and in order to produce
the sort of ramification of the branches we need these shoots
need controlling. By removing the shoots and buds at the furthest
point we direct the trees energy to buds and shoots further
back on the branch. This diversion of resources and subsequent
growth elsewhere and back-budding creates strong secondary
growth and ramification.
On
broad leaved trees the pinching back involves simply cutting
the new shoot just behind a leaf leaving 2 or 3 remaining
leaves. With conifers you will need to pinch out the longest
and most dominant bud to ensure appropriate secondary ramification,
always remembering to keep some buds ready to grow into pines
or needles. Through this process you can also assist in directing
growth in a more subtle way than pruning.
Wiring
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Wire should never be too close together nor too wide apart.
It should naturally and easily twist around a branch or trunk.
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Wire should be angled at around 45%.
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It goes without saying, but keep a close eye on the wire and
ensure it is carefully removed if it shows any sign of biting
into the tree. As a general guide wire deciduous trees no
longer than 6 months and evergreens no longer than 9 months.
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Be slow and methodical in your application of wire as the
damage to trees mostly occurs at this stage and in the removal
stage when careless and eager hands break branches.
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Bend the tree as you wire as if you bend it after wiring then
the wire will be too tight in some areas and too loose in
others.
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Don't be afraid to use a large gauge of wire as it is important
that the wire is fit for purpose and easily supports a branch
or trunk in its new position.
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Wire adjacent branches at the same time with the same length
of wire so they naturally support each others new placement.
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Evergreens can be wired at any time of the year whilst deciduous
trees are best wired when the leaves are off and you can see
the overall structure of the tree more clearly.
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When choosing the length of wire to cut ready for wiring the
general guideline to use is that the wire needs to be one
third longer than the length of the area to be wired.
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A good procedure to follow is the bottom up approach to wiring.
That is, start wiring the lowest level of branches first before
gradually moving up the tree.
Jins
& Sharis
On
a number of species of tree but predominantly evergreens,
the creation of a Jin (dead driftwood effect) on selected
branches
adds a powerful visual effect to the tree. Similarly, the
carving out of part of the trunk into a Shari creates a new
level of realism and also in many cases a degree of artistic
interpretation to your Bonsai.
A
Jin can easily be created through the crushing of the branch
using pliers and the ripping away of the bark. Further carving
away of the cambium beneath the bark and the shaping of the
remaining branch gives the impression of dead wood. The Shari
effect is harder to achieve as you need to ensure that even
after you have removed the desired amount of bark and cambium
you must ensure you leave sufficient strips of living tissue
to provide the live branches with enough sap. Finally, the
deadwood can be whitened through the application of lime sulphur.
This however is best applied after 2 to 3 months of the initial
carving to allow the wood to dry out.
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